 |
 |
 |
 |
 |
 |
 |
 |
 |
| “Thanks for asking me
Kelly! It was really fun playing with you guys. I’ve always
wanted to be involved in something like this to use my skills to ‘give
back’ in some way.” Asmira Woodward-Page, violinist and winner of Concert Artist Guild Competition
|
| Music Kitchen Performance Notes |
|
26th Music Kitchen Performance with Albrecht Mayer, Principal Oboist of the Berlin Philharmonic and Inga Raab from Berlin Philharmonic Akademie Olivieri Center for Women November 16, 2007 On Friday November 16, 2007 as the Berlin in Lights Festival taking place all over New York City, with performances by artists of the Berliner diaspora was drawing to a close, I created my own contribution to the festival by presenting Albrecht Mayer, principal oboist of the Berlin Philharmonic in his second appearance on Music Kitchen Concerts. This time he also invited cellist Inga Raab, on tour with the orchestra as a member of the Berlin Philharmonic Akademie to perform with us. I never received Albrecht's email expressing interest in performing for Music Kitchen on the upcoming tour, so I was thrilled when he called first thing in the morning upon the orchestra's arrival in New York, with music in hand! Carnegie Hall generally keeps the Berlin Philharmonic quite busy during their stay with several big concerts. This year, they gave even more of themselves to New Yorkers in the visionary Berlin in Lights Festival, including numerous community concerts, chamber music and the inspiring Stravinksy Project with 94 NYC school children dancing. In addition, Albrecht Mayer performed 3 concertos on Sunday evening with the Berliner Barock Solistin. So I was pleased that we could once again make music together for such an appreciative yet non-served audience as the Music Kitchen listeners at the Olivieri Center for Homeless Women. Albrecht had transcribed a wonderful Bach Trio Sonata in E flat, originally for organ, for our trio of violin, oboe and cello. We had an intimate but enthusiastic audience who really identified with the music of Bach. We had a wonderful time performing and interacting with our audience. I showed them a picture of me standing next to the original 18th century oil portrait of Bach, owned by and in the home of William Sheide. And as before, Albrecht and I exchanged a bit of 'name that tune' with our listeners. Because, as always, the music seems to be over too quickly, we asked the audience if there is any part that they would like to hear again, which would it be? They all chimed in, the middle movement, or the slow movement. So we eagerly performed the beautiful movement, with its intertwoven melismas, a second time, followed by many sighs of release and contentment from the listeners. "Wow, that is so beautiful," I heard from several points in the room. Since I had introduced our guest artists as representatives from what I affectionately call "God's Orchestra", many of the listeners came up for autographs. But as Music Kitchen always presents surprises and challenges to anyone's preconceptions, a woman named Nancy came up to me and asked me a question. "Did you ever meet von Karajan?" she said. "Oh, of course not, you're too young." I was distracted by another well wisher from the audience as I thought to myself, 'did she?' She then continued, "…then there was Claudio Abbado and now Simon Rattle…" And just like that she recounted some 60 years of conducting history of one of the world's greatest orchestras. She then shared with me that she heard some of their concerts in Europe and that, "It was always my dream to live in Europe. Maybe I still can?" Most organizations are invested in inspiring the young minds of children to follow their dreams, but I love knowing that I can do the same for adults. As to the experience of classical music listeners, I discovered from the first day out with Music Kitchen that the people in the room who had no concept of classical music prior to this concert, also loved the music they heard. This is where I will echo the words I heard in a speech by Clive Gillinson, Exectutive and Artistic Director of Carnegie Hall at the Berlin Philharmonic's reception following the November 14th concert. Essentially, this music is and must be for everyone. We cannot be content to perform it only in our bastions of higher culture and ignore those who find themselves outside of it. We must, like he said of the Berlin Philharmonic, always seek to be more. So once again, I thank Albrecht Mayer and Inga Raab not only for joining me in a lovely performance of a Bach Trio Sonata and donating their honorarium back to the series, but for supporting the Music Kitchen Mission. Following are notes from the listeners plus two photos: It was Amazing! Romantic and Heartfelt
Celina I loved the first piece played. The Bach 2nd mvt. I remembered from school. That was my favorite. I also liked the fast stuff. Lovely! As Always- Nancy I loved the gentleman that played the flute (oboe). It was very soothing- I feel relaxed! Thank you for you support of Music Kitchen - Food for the Soul. Sincerely, Kelly Hall-Tompkins, Violinist/Founder/Director   |
|
25th Music Kitchen Performance of Schubert Cello Quintet with Kelly Hall-Tompkins, Daniel Khalikov violins, Rupert Thomson, Ann Kim-Rozenblatt cellists, and Arman Alpyspaev violist, at the Olivieri Center for Women September 26, 2007 On Wednesday September 26th we had a wonderful Music Kitchen Performance which fulfilled a dream of my earliest conception of the Music Kitchen - Food for the Soul Mission. I first conceived of the Music Kitchen series, basking in the notion of presenting some of the most celebrated works in the genre, secretly holding works such as the Brahms Sextets and Schubert Cello quintet on the backburner of my mind for not only when I believed we could afford to present them, but also when the audience would be "ready" for such mature and wonderful music. Well, I learned instantly that the Music Kitchen audiences would be engaged and moved by any music I would present, however daring. The only thing left was to push the budget a bit to accommodate a quintet and find the perfect artists to portray this work. Well, as I often do, I donated my honorarium to more comfortably accommodate a quintet in our modest budget, but I am happy to report that I was fortunate to assemble a perfect ensemble of wonderful artists to present this masterwork! I recently won a position as First Concertmaster of a new orchestra called the Chamber Orchestra of New York. My colleague on the first stand and Second Concertmaster is wonderful violinist, Daniel Khalikov, who I have come to know through our collaborations on a Gala Concert as well as the orchestra's debut in Carnegie's Zankel Hall. I was very excited to invite him to bring his artistry to a Music Kitchen concert. Likewise I had worked frequently with fabulous cellist Rupert Thomson, now of the Apple Hill Chamber Players for many years in chamber music groups and had tried several times to catch him available for a Music Kitchen concert. This time it worked and we were both thrilled to be able to work together again! Violist Arman Alpyspaev and cellist Ann Kim-Rozenblatt are both wonderful artists that I have become friends with over the years but never really had an opportunity to work with before now. So this fantastic group represented the coming together of many personal connections and the match was artistically truly sensational! This was a group who on first reading of this stunning work, played with a palpable interaction and attention to artistic expression and detail. "Who's ever been to Vienna?" I asked before we started our performance. Some of the ladies blinked uncomfortably around as if perhaps they may not be able to relate to what was about to happen next. When most everyone remained silent, I continued, "no worries because we are going to take you there this afternoon through the music of Franz Schubert!" They all seemed to settle more comfortably into their chairs with lighthearted anticipation. The ladies at the Olivieri Center then drank in every note, even though the first movement alone is about 25 minutes- the longest single movement I have presented for Music Kitchen audiences to date. Once again, this Schubert Quintet fulfilled another aspect of my Music Kitchen vision, which is to continue to bring artists together. I many cases, I find this to be even more powerful and exciting than groups who play together year after year. But please allow the ladies to tell you themselves. See the notes below from the listeners and a picture from the afternoon. Sounds of Heaven. You must have Angels among you. Thank
you.
I am Mary N. Sounds of Magic! You all were magnificent! Thank you for bringing us your wonderful performance. Beautiful Music! It's Relaxing… Excellent!! Thank you so very much. You all play so well. Ms. Yvonne B. Excellent Relaxing Therapeutic. Very Good. A beautiful and spirited performance! Thank you for coming here.  Thank you for you support of Music Kitchen - Food for the Soul. Sincerely, Kelly Hall-Tompkins |
|
24th Music Kitchen Performance with Jazz vocalist Rene Marie at Olivieri Center for Women June 2, 2007 Dear friends of Music Kitchen: On June 2 at the Olivieri Center, we had another wonderful special guest performance for Music Kitchen. Jazz vocalist Rene Marie was in town to perform a Josephine Baker tribute concert with the Imani Winds at Harlem's historic Apollo Theater. As Ms. Marie was deeply committed to performing for our series, she readily suggested the only option time would permit- arriving directly from the airport to the Music Kitchen performance. Having several members of her own family who are currently or have been homeless, the subject of homelessness has particular resonance with her. In fact, before even learning of the Music Kitchen series, she had already written and self-produced a song and subsequent recording highlighting the issue, the proceeds of which will benefit organizations which provide homeless services. The song, "This is Not a Protest Song" contains very poignant lyrics presenting her own family members as a metaphor for all those in a similar need when she ends the verses with, "if you see my brother, won't you put a little somethin' in his hand?" It can be a very tricky thing to do to come into a homeless shelter and speak or sing about homelessness. But Rene, wisely leaving her original composition for last, had built a very strong connection with the ladies of the Olivieri Center through her silken soulful voice, spellbinding artistry as well as the heartfelt and comforting verse of many of the other tunes. I saw many tears of resonance among the listeners. Of course many of her songs were also just plain fun, and the great artistry and spirited interaction of her collaborating artists, keyboardist Art Hirahara and bassist Elias Baily, made this performance really inspiring and uplifting. Everyone in the room came out of themselves. "I wish you could come more often," one woman told me. But even more compelling to me was the almost journalistic detachment with which another woman confided in me. Very elegant, articulate and intelligent, she could be anyone's aunt, the community leader- Mary. Yet her tone and very deliberate way of speaking revealed the significance of her words: 'Thank you so much for being here and presenting these concerts. This is not a normal life here - what we are living. It's very difficult - we shouldn't even be sleeping here. This is not a shelter, you know. It's a drop-in center- we sleep on chairs leaning over tables. But these concerts… they allow the people here something more. Something to inspire them. It's very important what you're doing. I wish you could come more often… ' Then, 'How's your mother?' She remembered my Mom's portrait sketches of Brahms which I passed around for people to see last June at the Emanuel Ax performance. A simple question- very typical in social gatherings. Yet it touched me differently- it showed me what an effect Music Kitchen Concerts are beginning to have over a long term. I'm so happy to have had the opportunity to see Mary again. But I hope that in the near future, she and the others I have come to know fondly will be wherever they desire to be. And I'd like to believe that wherever they go, they will take these Music Kitchen concerts with them. Following are some written comments from the listeners: I loved the singing. Keeps my hope and faith alive. I
appreciate the music.
Smiling and Music is most pleasant as always. Mary W. A wonderful musical occasion. For we are not living a normal life- this makes it easier to be at the drop in. I can't afford to go to a Jazz club. We are a sign of "Trying Times." Thanks for being here. Elissa L. Thank you for this treat! Rene's music and the arrangements were so well done. Please try and come more often. Most Sincerely, Nancy. Thank you for your support of Music Kitchen and please help us to present these concerts more often! Please see www.MusicKitchenNYC.org for more information on how you can help. Sincerely, Kelly Hall-Tompkins |
|
23rd Music Kitchen Performance pianist Marian Conti April 4, 2007 at Holy Trinity Lutheran Church Dear Friends of Music Kitchen: This evening we were graced with another solo piano performance thanks to the upright piano which was donated to Holy Trinity's community room last spring. Tonight's performance was by pianist Marian Conti who presented a wonderful array of piano classic repertoire mixed with lively repertoire from the American songbook and the Latin diaspora. Ms. Conti's elegant and virtuosic performance of two Chopin Mazurkas was followed by works by Argentinian composers Julian Aguirre and Juan Jose Ramos. The two American favorites included Ain't Misbehavin' by Fats Waller and Zez Confrey's Dizzy fingers. She concluded the program with a lively and light-hearted Cuban dance by Spanish composer Ernesto Halffter. The solace and peace brought to all of us by the music, especially the shelter clients, was palpable. This performance wasparticularly poignant because it was the last Music Kitchen performance at the church for the season. The shelter season at Holy Trinity runs only to the end of April. In addition to their written comments, many of the gentleman expressed verbally to me their deepest appreciation for the concerts I present. Many said that it is such a highlight of their experience. Same as last year, I wished them well wherever their lives will lead them and hoped that we see one another again sometime. One gentleman said, 'I appreciate seeing you here, of course, but I hope not to be here the next time you come...' Of course, I understood completely. Everyone wanted to pose for a group photo and it is pictured below. Following are the written comments from the evening: As usual, an outstanding performance by an outstanding
performer. Ms. Tompkins has once again presented us with a 1st class performer
in Ms. Conti. Ms. Conti has a wide selection of music and plays as well as any
pianist I've heard. I again wish to thank Ms. Tompkins for bringing all of
this to us. We would otherwise have no knowledge of this music. John
B.
You have nice wonderful performance for interesting piano musical sounds. I hope more performance you come. Fernando M. They are classics. Would love to hear more. The old style is true music. The music is played in a soft to the ear and loud to the mind. Roberto R. Dear love one, your music truly is a wonderful gift. I want to thank you for coming here and sharing such a God Giving talent with us. I have enjoyed each note. God Bless You and Kelly. Love, Kenny  Thank you for your support of Music Kitchen! Sincerely, Kelly Hall-Tompkins, Violinist/Founder/Director |
|
22nd Music Kitchen Performance with flutist Bart Feller, cellist Tara Chambers and violinist Kelly Hall-Tompkins March 26, 2007 at Holy Trinity Lutheran Church Dear Friends of Music Kitchen: Every Music Kitchen performance is unique and special for many different reasons, but tonight's performance at Holy Trinity was a culmination of all of my reasons for pursuing this project. Flutist Bart Feller, principal of both New Jersey Symphony and New York City Opera and Tara Chambers, in-demand free-lance cellist and chamber musician are both not only wonderful artists, but are also very passionate and committed to the mission of Music Kitchen. Undeterred by a very busy performance and teaching schedule, Bart's debut Music Kitchen performance was the happy result of several attempts to coordinate our schedules. In addition, Tara is a donor to the series. We presented a fun and elegant program of Baroque and Classical gems including the Haydn London Trio number 1, a Handel Trio Sonata, the Handel-Halvorsen Passacaglia for violin and cello and the Telemann Canonic duets with violin and flute. The combination of flute, violin and cello has a particularly soothing effect and was much appreciated by all in that setting. I say that this performance represents all that I seek to accomplish in this series because in addition to the talented and dedicated artists, the listeners responded with some of the most moving comments that I have had the honor of hearing since beginning this project. Kenny, a warm, mild-mannered gentleman approached me after the performance with the utmost appreciation: Thank you so much for being here. This is such a blessing,
truly a blessing. I've never had the opportunity to hear anything like
this- you play so expressively, so compassionately, so beautifully… I
can't thank you enough. I have had such a hard day…This has made my
day and I will carry this with me for the rest of the week. Please come
back.
Following are the written comments from tonight's performance, including additional comments from Kenny: The music was heartfelt, warm and inspirational. It was like
a wonderful Gift being shared with love. God Bless you and thank you for your
musical Gift of Love and Expression. Kenny
Is very good. Come back please. The music is great. Wish there was more groups like this. Music of the Soul. Very Very Nice!!! As per your request…How the music made me feel. The notes moved through me calming my extremely stressful day and bringing it to a halt! Thank you! It was exactly what I needed. All things in the universe are defined by personality whether positive or negative…It is what you make of them that defines their nature. Chris. I think that everything were real nice. It brings back old times. My name is Garfield. God Bless you. Thank you for your support of Music Kitchen-Food for the Soul! Sincerely, Kelly Hall-Tompkins, Violinist/Founder/Director |
|
21stth Music Kitchen Performance with Roy Eaton, pianist Date January 25, 2007 at Holy Trinity Lutheran Church Roy Eaton returned to Music Kitchen for another delightful and soothing solo piano performance. This time the program consisted of a theme of Preludes. From Chopin to Gershwin to William Grant Still, Eaton interspersed the elegant performances with biographical anecdotes of each composer. Roy Eaton's first Music Kitchen performance last April captivated the audience not only with virtuosic and introspective playing but with inspirational anecdotes from his own life. Although no one from this evening was present for that first performance, and many were new to classical music, everyone seemed similarly drawn in and soothed by the solo piano. Following are comments from two listeners: What more can be said- every time you come the people with
you and the music get better and better. My enjoy ment of the music presented
increases each and every time. Please don't stop. Thank you. John
B.
Hi: My name is Jerry; I was truly pleased to receive such lovely music. The best thing about it was the history behind the songs that was being played. I enjoyed every moment of it and thank you for allowing me to have hurd such beautiful music. Yours truely Jerry! Thank you for you support of Music Kitchen- Food for the Soul! Sincerely, Kelly Hall-Tompkins Violinist/Founder/Director |
|
20th Music Kitchen Performance David Bixler Jazz Quintet January 2, 2007 at Holy Trinity Lutheran Church (sax, trumpet, guitar, bass, drums) Dear Friends of Music Kitchen,
Keeping with my desire to mix up the musical offering for Music Kitchen audiences, I presented a great performance of the David Bixler Jazz quintet. Each season presents new faces at the shelter, so all but one of the faces and ears were newcomers to Music Kitchen. I'm always searching for the best way to introduce the program to new listeners, but it is never a difficulty because the music and the performances speak for themselves. David Bixler's group was a dynamic and expressive group of artists presenting a set of all original tunes. Since David's wife Heather is a violinist, some of the tunes even had a groovy and eclectic nod to some staples of violin repertoire. The listeners were all totally drawn to the music, even the ones who initially seemed too distracted to listen closely. That was still not enough for one shelter client and deeply committed Music Kitchen listener named John. He leaned over to me and whispered, "I hope these guys realize how lucky they are to be hearing music as great as this here. They would have to pay a fortune to hear this in a jazz club!" For the rest of the evening, that continued to be his refrain, "I hope they realize!" Following are the written comments from the evening: Hi my name is Terry! The Music Kitchen was great. It was
truly a gift from God and I am truly greatful. Yours Truly Jerry
I like the way the jazz band plays the tones, also the drummer got the lyrics. The whole entire band was awesome. I heard a lot of jazz from my youth when I sneaked into the city and down to Bleeker street into the clubs that showed them all. How many of the people who hear this group realize how fortunate they are, or how much it would cost them in some small club anywhere in the city. I thank all of you for what you shared with us this evening and for taking me back so many years. John Thanks for the Music and the T-shirt -- M. Smith The music is a relaxing energy that pulled me into my own mental story; a different chapter related to the tune set. I was consciously unaware of other situations that I am facing at this point in my life. As jazz lover, I find the music exciting- it released some stress. For one moment I thought I was at the Blue Note. Sam Thank you for your support of Music Kitchen! Sincerely, Kelly Hall-Tompkins, Violinist/Founder/Director |
|
19th MKPerformancewith David Burnett, Ken Pearson SamMarchan NewYear's Eve 2006! |
|
17th Music Kitchen September 8, 2006 Kelly -Solo music Bach,Ysaye, Kreisler This afternoon's Music Kitchen Performance was very inspiring to me. I pursue this project because I hope to be able in some small way to share inspiration through music to those who are perhaps facing higher than average challenges in pursuing their lives. However, when I addressed the ladies at the Olivieri Center and told them that I was performing for them repertoire that I was in the process of recording for my second solo CD, they showered the most heart-felt support on me as I pursue my own goals and dreams in my career. Adding to their many appreciative comments of the music, "Whatever you want to do in this world you can do it!" I was very moved by the sincerity of their comments and gratefully appreciating the apparent role reversal which was taking place. In terms of the music, I performed all solo violin repertoire- Bach Chaconne, Ysaye Ballade and Kreisler Recitativ and Scherzo. I was a bit concerned that the repertoire, being primarily of the violin virtuoso genre, would be too edgy, too modern not soothing enough for my intent. I thought to myself 'thank God for the Bach, they'll at least like that.' And they did. But what surprised me was the response of one woman who reminded me once again that you can never know how music is going to resonate with listeners, even if they are new to the genre of classical music. One woman said to me, "The Bach, that was nice, but that's the kind of thing you just pretend to like. But that Ysaye! That was awesome!" Following are the written comments from the afternoon: Chaconne-Awesome exciting, yet sad and serene. So many
different emotions wrapped up in One
The last song was exciting. It reminded me of a murder mystery, suspenseful Krysler- a Love story, dancing, running Awesome Performance Beautiful Music. Best of All Your Success - Maria I like you music is very good. Inside of me laugh. Tank You - Anamedina Hi Kelly, Thanks for the lovely Music. It really was relaxing and most enjoyable. Agan thanks from a lady at Olivieri. Mary W. a senior citizen Music Symphony, Violin Made me relax; quiet, soft gentle; non-violence Chaconne- Interaction between two people- rough times, smooth times, in and out times Ysaye- I thought of indecision- What if? Can I? Should I? Should have… What if? Can I? Thank you for your support of Music Kitchen. Sincerely, Kelly Hall-Tompkins Violinist/founder/director |
|
16th Performance June 5, 2006 Olivieri Center for Women Emanuel Ax, Kelly Hall-Tompkins and Mark Kosower On June 5, we had a very special Music Kitchen Performance at the Olivieri Center. As always, I like to bring terrific artists together for these performances. In keeping with that, we had an encore appearance by cellist Mark Kosower, who originally performed in the second ever Music Kitchen concert last April 2005 at Holy Trinity. This time, Mark came all the way from California and his new post as cello professor at the San Francisco Conservatory to perform at the Olivieri Center for the 16th Music Kitchen. Unique to this particular performance was the debut of piano chamber music repertoire on the Music Kitchen Series which was inaugurated by guest artist Emanuel Ax. I first spoke with Manny Ax about Music Kitchen back in February when we were chatting about the Berlin Philharmonic, with whom he had just been soloist at Carnegie Hall. I mentioned that a friend we had in common, principal oboist Albrecht Mayer, had just performed for a Music Kitchen concert. I was thrilled that day when Manny said that he would love to play as well. I immediately set to work on making that happen, knowing that the Olivieri Center for Homeless Women had no piano at all. Since the Music Kitchen budget is modest at best (read shoestring), I knew that renting a piano was not an option if we were to continue presenting additional concerts! Several months, and numerous phone calls and emails later, I finally received the gracious donation that I was seeking- a grand piano, complete with moving costs and tuning from Steinway and Sons Pianos. So on June 5th, all of the anticipation finally came to fruition and we had a wonderful concert. Steinway and Sons was not the only gracious contributor for this event. Emanuel Ax, incredibly, after having just returned from a three-week European tour the night before and a Lincoln Center meeting the same afternoon, completely donated his time, artistry and enthusiastic support to this performance. We had an efficient yet galvanizing rehearsal in Manny's living room in the morning, "just like rehearsing with Itzhak" he quipped. Fortunately, thanks to the great work of James Arts Consulting, I had an extended radio interview on WKCR 89.9FM, significantly widening Music Kitchen's exposure and publicizing this event. The broadcast was fortuitously timed and occurred on the morning of our concert on June 5th. In addition to a 30 minute discourse on the history and mission of Music Kitchen, host Pojen Deng also broadcast my debut CD in its entirety. The scene at the Olivieri Center was all a buzz an hour and half before the performance when I arrived. The delivery of a piano had everyone curious and talking. One woman who was present for the last two performances where I publicized this exciting piano performance, came up to me and said, "It's here (the piano) just like you promised!" As I walked around the center to recruit listeners, telling them that a famous pianist would be performing with us, one client couldn't wait to know who. When I told her, she exclaimed, "Wow! Right here at the Olivieri Center?!" Some of the ladies took their seats in the performance area quite early and stayed there for that hour and a half until the performance started. By the time we began at around 3 o'clock, we had a nice crowd eager to listen. As always, there were also listeners who enjoy the performances but prefer to keep to themselves on the side of the center's main room. We've had larger audiences at the shelter, but I was told that at the beginning of each month, potential shelter clients have more money from incoming checks and therefore make less use of the shelter. Apparently, nice weather is also a factor. However, the crowd we had was very enthusiastic, involved and attentive. Additionally, I invited several friends to the performance who are also donors. Since these are not public concerts, I occasionally like to invite "ambassadors" who can share what they have experienced in the shelter in their own community, thereby raising awareness and support of the Music Kitchen project. At the beginning of the concert, I began by saying , "Today is my birthday…" And before I could get any further, the listeners cheered and Manny began a rousing chorus of the birthday song., much to my surprise and delight. But what I had tried to say, and soon finished, was that "I can think of no better celebration than performing for you here today and with Emanuel Ax!" And indeed what a birthday it was! I then told them a bit of Manny's career and explained to them earnestly that they have the opportunity to do here today at the Olivieri Center through Music Kitchen what even those paying hundreds of dollars for their tickets at Carnegie Hall cannot do: hear Emanuel Ax perform up close and personal. We began our program with two movements from Beethoven Sonata Number One for violin and piano. The audience erupted in cheers at the end of the first movement. I had not even noticed one woman sitting behind me on my violin scroll side until she cheered so enthusiastically. As always, I endeavor to humanize the composers and connect their life experience to the listeners with colorful depictions of their lives, circumstances and attitudes. After recounting Beethoven's impending deafness, I also told anecdotes about Beethoven's revoked dedications to both Napoleon and violinist George Bridgetower over hubris and love triangle disputes respectively. The audience chuckled heartily at his temperamental nature. We then turned to Brahms, a composer very dear to me, particularly for chamber music. Before we performed the Opus 8 trio, I introduced cellist Mark Kosower and shared with the listeners our friendship over the last couple of years and how music brings artists together in unique ways. I then showed photos of two wonderful portrait sketches of Brahms that my Mom did for me as a birthday gift. I continued by reading a brief excerpt from one of Brahms' early letters where he displays his passionate young love for Clara Schumann, and mentioned how one can perhaps feel the intensity of that young love in this early Opus 8 trio. After we performed the first and last movements of the B major trio to a very warm and enthusiastic reception, many of the listeners eagerly approached Manny for autographs. We all chatted with the shelter clients and visitors interchangeably. Although I like to respect the clients' privacy by not inviting too many outside visitors into the shelter for concerts, I am very intrigued and attracted to the idea that music lovers and connoisseurs go to a homeless shelter, a haven for the disenfranchised, to hear a world class performance. In my view, the classical music world could use that kind of shaking up. For me, our performance today was so enjoyable to be a part of and it soared with the passion, intensity and tenderness of chamber music between old (and new) friends in an intimate setting. This is precisely the expression of the Music Kitchen mission which I envisioned when I founded this series. Although I can happily report that many of the brightly colored cards were used to collect autographs, we did also receive some notes back from the listeners: You guys really gave it your all and all. Man, for us not to
be paying a penny I've gotten a lot of pleasure out of it. I was crying,
but I had to catch myself. That's how wonderful it sounded. So I thank you
all so much for coming out.
Excellent. Very Enjoyable. "Music Kitchen-Food for the Soul" The Food was marvelous- thank you! Hi Kelly- Happy Birthday, May God grant you many more years. Thank you for sharing your musical talents with us at Olivieri. Beethoven's music very inspirational- and enjoyable. Again, many thanks. Mr. Ax, Ms. Kelly and Mr. Mark- Thank you very much for sharing your exquisite talent. I wish you and this program a very long life (visitor). In all this was an extremely rewarding and successful day that was made possible by several onstage and offstage participants. Many thanks again to artists Mark Kosower and Emanuel Ax for their artistry and dedication to Music Kitchen; Steinway and Sons Pianos, specifically Vivian Chiu and Bonnie Barrett for agreeing to deliver a fine piano to a homeless shelter and making it happen; the staff at the Olivieri Center, specifically Steven Hornsby and Alyson Campbell for their tremendous facilitation efforts; PR Consultant Jeffrey James; Pojen Deng at WKCR radio for a generous interview segment; Pete Cecchia photographer for coming up from Philadelphia!; and Ji Won for turning pages. Thank you for your support of Music Kitchen Concerts! Sincerely, Kelly Hall-Tompkins |
|
You made my day-Thank you!!! Galina Wonderfully Done. Fantastic, Bravo. Very very good, Excellent,
Bravo. Bravo, Bravo, Bravo Bravo, Bravo, Bravo, Bravo Hello, this is Shannon again. Everytime you guys come I’m always writing. You guys are great as usual. I will be at one of your concerts, maybe 2. Enjoy your day. I really enjoyed the music because I love classical music. Your play and chouse of music was very nice and soothing. Delores Thank you for your support of Music Kitchen-Food for the Soul. |
|
“Visually Beautiful, Spiritually Beautiful. Thank you Anna and
Kelly” “Kelly, Thanks you have the ability to take me musically to places I’ve never been. Anna what a beautiful gentle instrument. Thank you very much.” Thanks for a nice night of chamber music. It does mean a lot to me. May God Bless You. Carlton
Sincerely, Kelly Hall-Tompkins |
|
12th Music Kitchen Performance April 23,
2006
When one listener asked if he ever used sheet music when he played, he replied not after the piece is learned. However, he then extolled his excellent memory as one of the many benefits of transcendental meditation, which he has been practicing for some 40 years. Eaton went on to perform elegant and deeply spiritual interpretations of Bach Prelude and Fugue #1 from the Well Tempered Klavier, Joplin Maple Leaf Rag, Mozart Rondo a la Turc, and Joplin Solace. The following evening when I returned for the last Music Kitchen performance of the Holy Trinity Season, they were still talking about him with deep admiration and inspiration! Following are the clients’ notes from the performance: Hi, my name is Robert and I like the way he play. I can tell that he enjoys what he do and I can see why you like him 2. I enjoy listenening 2 him talk and play. If there is a way I can see him play or tell me about his past I would like that. God bless you both- hope 2 see yall soon. Mr. Eaton entertained us not just musically but with bits and pieces of his life which was both tragic and uplifting equally proportioned. I have not heard a piano rendition in years when I would listen to my grandmother play. His feeling for the music and the piano comes through to you with such intensity. It was made even more beautiful than it would otherwise have been. Hi, my name is Christopher. I feel more emotion and how to more better my life then do a lot of stuff I can do. And my goal is to be musical play with drums and guitar. Then be famous people in all the town. An Amazing story- your perseverance is an inspiration to all Black people. The 1st piece was interesting contrast of peak and valleys. A very happy tune. The intertwining of your life story with the music was very entertaining. What knowledge I have of Joplin and his music was enhanced by stories Roy told of his life. Thank you Roy and Kelly
Thank you for your support of Music Kitchen! Sincerely, Kelly Hall-Tompkins, Violinist/Founder/Director |
|
9th Performance January 24, 2006
On Tuesday we had a most exciting Music Kitchen Performance! As always, I put together an ensemble of terrific New York artists including violist Junah Chung and Nicole Johnson, cellist of the Cassatt Quartet. This time, however, we were also joined by a wonderful out of town guest artist, my friend Albrecht Mayer, principal oboist of the Berlin Philharmonic. Although I knew the Berlin Philharmonic would be in town performing four large programs, I was thrilled when Albrecht said he would still love to fit a Music Kitchen performance into his schedule! I had to begin by sharing with the listeners that the Berlin Philharmonic is my favorite orchestra on earth and it is a very special treat to have Albrecht here in New York. We had a sizable and very enthusiastic audience at the Olivieri Center. This performance was especially lively and interactive as we not only performed the very virtuosic Mozart Oboe Quartet K.370, but I also spoke a bit about Mozart’s life at the time of writing the piece and did a mini interview of Albrecht and his life’s work so far. As for Mozart, I read a very colorful letter which he wrote in 1781, dramatically detailing his unbearable and insulting treatment at the hands of the Archbishop of Salzburg and what a challenging time in his life that position was. I recounted his relationship with Friedrich Ramm, leading oboist of the day and the events which culminated in his freedom from the thumb of the Archbishop, all resulting in the composition of this Oboe Quartet. Also, being the week of Mozart’s 250th birthday celebration, I shared with the ladies that performances just like this one were at this very moment being performed all over the world in commemoration. Since singing is often a common link with most any person’s background, I think it was very endearing when I asked Albrecht to share his background as a choir boy in Bamberg before beginning the oboe. I then shared with the ladies and invited Albrecht to speak more on the fact that, similarly to our top 40 chart for popular music here in the US, his latest classical CD is currently ranked number 2 on the classical charts in Europe. However, one of the most poignant moments of the afternoon, in addition to a soaringly beautiful performance, was when Albrecht spoke very intimately about his love for music, playing the oboe and how that became the foundation of his life as a young child. We also shared many laughs with the audience, particularly during a short round of “Name that Tune”… or at least where it comes from! Albrecht played a few lovely lines of music from a film production of Romeo and Juliet, only a few because it was named immediately! I played the Barber of Seville Overture theme, as heard in Warner Brothers Cartoons, also correctly identified by a listener. As always, it reminds audiences that they have been living with classical music most of their lives. We concluded a wonderful afternoon with an encore of the first movement of the Mozart and stayed for a while chatting with the ladies. It was indeed a fun and inspiring Music Kitchen performance, exactly fulfilling my vision and mission for this program! Many Thanks also to Junah Chung and Albrecht Mayer for donating their honorarium back to Music Kitchen concerts! Following are the ladies comments from this performance: The Music Kitchen Performance was much appreciated by myself, a lover of
classical music. Though I haven’t heard any live performances, I
feel this was a thing of beauty. Every note sounded perfect. In
this situation beauty and culture is surely appreciated and not easily
found. Excellent. Great rhythm and keeping in tune with each other. Excellent in blending with each other. Hey this is Shannon. I always attend your concerts at the Olivieri Center. I enjoy it always. Thanx! I like the soothing sound. I like Bach, Beethoven also enjoyed. Your music transformed me to wherever I wanted to be…It landed itself beautifully to any place I chose to settle into. Bravo Kids, Come Back. Thanx Again. C.C. It makes me sleepy but I would like to dance while they play… Mozart Selection Pleasant and relaxing. Really enjoyed! Dear Ladies and Gentleman of the Music Kitchen…this type of music relaxes me…I have always wanted to take violin classes, could you please point me in that way? Lisa F. Happy B-Day Mozart. Thanks for the Music! |
|
7th Performance
Today, December 29, 2005, we had what started out as a very intimate Music Kitchen performance at the Olivieri Center with not as many shelter residents as usual, but ended with swelled numbers of very interactive and eager listeners, as has been more typical there. In addition, we were graced with two very special invited guests: Susan Dadian, director of Chamber Music America and Swaha Devi, freelance writer. My performance colleague was cellist Nicole Johnson of the Cassatt quartet and we played several duos. Thanks very much to Nicole for not only playing beautifully, but also donating her honorarium fee back to the Music Kitchen! We began with the Handel-Halvorsen Passacaglia. Over the years that piece always seemed to be an enduring favorite among chamber musicians, but this was my inaugural experience with the piece. After we played through it the first time, I asked if anyone liked to listen to the blues. After seeing several nods I told them that a Passacaglia is like American blues, classical style, with the repeating walking base line and heart felt lamentations in variations. They seemed to really identify with that concept and, at the end, they asked us to play it again. Before we came full circle with the Handel-Halvorsen, we played an early Duo by Beethoven. I told them a bit about one of my favorite new books- Beethoven’s Hair, telling of a lock of his hair that ended up at auction at Sotheby’s by way of a persecuted holocaust refugees flight to Denmark. We then turned back to the Baroque with transcription of a Bach keyboard work for violin and cello. By the time we played the repeat performance of the Handel, more listeners had come in to request it. One woman expressed surprise to see us come in with instruments, saying, “they’re going to perform here??”, and was very pleased to have the live performance. She and several others asked us to please come back again soon. That brings an interesting paradox; there is a very high turnover at the shelters. If we perform for an eager group of listeners one month, they are unlikely to be present the following month and that is good news. I would assume that they have succeeded in bring their lives back on track and no longer need the shelter. The result is a challenge as well as reward for me in that each time, I am developing a mostly new audience. Here is some note card feedback in their own words: Thank you ladies for an enjoyable afternoon classical musical concert. Happy New Year and continued success!!! Sincerely, M.D. The Music Kitchen was creative. Why can’t music be as beautiful (as this) without people trying to hurt each other with politics? Pretty music with what you play. It was creative and Brilliant Great Job! You both are very talented. Keep up the good work. B.H. It’s Shannon! Nice to see you again. I love your music. I always enjoy the music when you come and entertain for us. I wish y’all can come everyday. You know what they say, music calms the savage beast. LOL (laugh out loud). Ha-ha. It’s relaxing, soothing. Hey if there are any concerts, can you hook us up with tickets? Preferably me. Name is Shannon just in case. I see you enjoy what you do. See you next time. Again, I loved it. Thank you! Merry Christmans and a Happy New Year. Music Kitchen was very Challenging and Rewarding. Listening to the music was like eating chocolate or vanilla pudding. Very, very good. I enjoyed the music, sounding the opposite of jazz and blues. Thank you, Sincerely B.J.M This music is so (unreadable) and beautiful and I give them a #10 Thanks again for your support! Sincerely, |
|
6th Performance
On Monday October 24th, we played an exciting sixth performance of the Music Kitchen at the Olivieri Center for Women. I put together a wonderful group of musicians, with whom I have performed in various capacities over the years, to perform the Mozart viola quintet K. 515. The musicians, in addition to myself, were Jorge Avila, violin, Brett Deubner, viola, Lisa Whitfield, viola and Andy Kim, cello. Four of us met as students in college or a music festival as early as ’89 while the cellist is a more recent professional acquaintance of mine. Additionally, each musician had prior connections with each other. Not only was the performance was tremendously well received, but it reflected the vibrant energy of bringing musicians together that is so central to my mission with this project. I am happy to program so much Mozart for these performances particularly since this is Mozart’s 250th anniversary year. The music still reaches out intimately to first time and seasoned listeners alike. However, I am also eager to bridge the apparent gap and make Mozart accessible not only through the performance, but also from the standpoint of his humanity. At this performance, I shared passages from Mozart’s letters where he is embroiled in life’s challenges as well as his successes, all with his characteristic witty disposition. Among those passages is a blessing that Mozart confers on “all of humanity”, his wish that all may approach life as joyfully and lightheartedly as he is blessed to do, despite his many illnesses and difficulties. This performance generated many wonderful responses and I will dedicate the rest of this account to sharing those with you: I really felt at peace, within my mind and soul listening to Music
Kitchen. I thank God that I am born and yet alive... I love classical music and enjoyed the concert. I would like to her your group perform again. Frances W. I’m in a grand ballroom. People are sitting around in their finest evening wear. All is quiet, all ears are on (in tune to) the music. The music is flowing as being on air. A story forms in my mind, however it can not be told out loud for the music tolls a story all its own. Sweet music, soulful, breathless. How graceful the sounds each player makes. So expressful. It must bring such pleasure to make such soul searching music. --By now a waltz is in order. However, I wonder if the body can move as gracefully as the music. Yes, yes it can, all in perfect unison.-- The Sun Shines bright. The flowers in the garden are a sight to see. The grass a carpet of green velvet. The women in colorful dress, the men the same with boat hats on their heads. Ducks, swans, birds abound. What a wonderful day for a picnic, the music enchanting, flowing with a gentle summers breeze. Andrea W. 1st movement- I think it was great. It’s soothing, very
relaxing. Puts your mind at ease. I like how the musicians were feeling
it. Each instrument has a different sound which makes the song/melody
sound good. The music sounds like it could be for a playwrite or
movie. There’s a feeling when playing, makes me wanna go and learn
how to play the violin. High pitch to low tone. I’m enjoying
this a lot. It’s beautiful. Thanks. -3rd movement-
I’ve heard it before. It’s nice. All of you were
great. I’m glad I sat in the front row. I love it. I
absolutely love how the dialog coinside with each other. I think that it was fantastic! The way that they harmonized and flow together was nice. It make me wanna take violin lessons. They look as if they really enjoy the music and have fun playing that type of music as well. I even enjoy this music. It was magnificent! Thank you and God Bless --This peace is a smooth, soft and exciting peace. It keeps you guessing rather it’s gonna go fast or slow. I just think Mozart Music is Cool. It was awesome! Thanks and Please come again! God Bless! Thanks a lot. The music was great & you guys were fantastic. Adela F. Dear Music Kitchen: Thank you for your wonderful performance at the Olivieri
Drop-In Center for Homeless Women. It was bittersweet- as it brought back
memories of only a year ago when I worked at the Boston Symphony Orchestra
before coming here to go to school. The wonderful music I heard there and
how much my life has changed since. Thank you also for exposing this
group to the wonderful music African-Americans can play that is positive and
uplifting. Sincerely, Reactions and Effects—It sounded as if it were retracted from a movie’s soundtrack. For example: Gone with the Wind, Clark Gables (Rhett) Thanks again for your support of the Music Kitchen. Sincerely, |
|
5th Performance
This afternoon was the Fifth performance of the Music Kitchen and the second performance at the Olivieri Center for Women. Violist Junah Chung and I performed the Mozart duets for violin and viola k. 423 and 424 for an extremely enthusiastic and supportive audience. These are very special gem works to me and it is such a pleasure to perform them, particularly for people who seem so deeply affected by the music. Before performing the works, I shared with the audience their very human context. In 1783 Mozart’s first born child died. He was so depressed that he composed nothing during that year with the exception of these works. He composed the two duets for Michael Haydn who, being ill and bedridden, was about to fall short of his expected compositional duties to the Salzburg court. Mozart composed the works in his stead so that Michael Haydn would not lose his salary. Many of the clients at the shelter were very visibly impressed by this and said that he was a very good man to do such a thing. This alone, in my observation, caused the audience to listen more intently. In addition, the lively spirit and graceful melodies of the works enlivened everyone in the vicinity and brought several people to the performance area who had been focused on other things. Carol, who was also very enthusiastic about our first performance, was even more vocal in her praise this time. Unlike many others, she eagerly participated in our photos. She said over and over how much she loves classical music. After the fast movements, we chuckled as she ebulliently cried out, “I know how hard some of those parts are and you guys just nailed it!” But more poignantly, after the performance, she shared with us how difficult it is for her to be in this situation. She has been homeless since February and is sometimes really depressed about her life. “But when I hear music…oh! I am just so thankful to have ears and happy to be alive!” As an artist, I can think of no better reason to share music with others. Another shelter client, after she tried to help me think of possible grant funders for this project, asked me why I am doing this. I told her very simply that I love this music, I believe in it’s ability to reach people, and I desire to share it with those who may not have much access to it. Following are all of the notes shared with us about today’s performance: The music was great and I really enjoyed it This music is the best. It soothes the mind, it’s good for the soul. It is good for the spirit and it makes sense. Romantic Music Thank you for coming to perform for us. The music is soothing and brightens the mood in the center. They were very talented. I feel their talent will take them to
stardom. They play very well as a duo but both have an amazing
talent. Wonderful- by far- Talented- extremely The performance was very inspiring, and very relaxing. I also enjoyed
the way all of the pieces were put together. Thank you for coming and
giving us a great performance. Thank you for your support and interest in the Music Kitchen! |
|
3rd Performance
The third performance of the Music Kitchen was another delightful success. I decided that this would be a perfect time to shake up the format and present a jazz group. The performance was played by the jazz quartet of Jason Jackson, trombonist with whom I went to school at the Manhattan School of Music. The other members of his band are Myriam Sullivan, bass; Saul Rubin, guitar; and Clifford Barbaro, drums. They have a wonderfully mellow sound and play very sensitively with each other. The shelter clients were drawn in right away. Firstly, the ones who have heard previous performances were taken by surprise by the change in genre. Since this evening had the largest numbers and most new faces in attendance so far, around 20, many were surprised to arrive and find a performance at all. Secondly, the jazz was immediately accessible and the clients seemed to enjoy watching the interaction between players. Since I was not playing this time, I was able to observe all this and take the pictures myself. I also learned that pictures, though helpful for visibility and fundraising of this program, are not always harmonious with the clients comfort level. The shelter coordinator finally came over and indicated to me that one gentleman who is deaf, was standing off to the side and not eating because he was not comfortable being in pictures. I immediately motioned to him that I would put the camera away. He then sat down to eat his meal and at least watched the music, I noticed. For the time thereafter, my mind’s eye took note of how the residents watched the players. They were all tuned into the performance and applauded easily after each tune. This performance was also the longest of the three so far, about 35 minutes, and the length was totally appropriate in this context. Another pleasant surprise for me was the augmented sense of community event that was created by the musicians. They had invited several of their friends to come and listen as well as a trumpet player who sat in on one tune. He was visiting from New Orleans. I collected several very heart-warming comment cards from the audience once again. However, again, some people felt this time that they had nothing to add to their previously written cards. I hope that we will continue to inspire them to express themselves about each performance. Following are the cards from this performance: 1) 4-17-05Hi! My name is Tony and I’d like to say that I enjoyed your music tonight and hope on seeing you here the next time. A.C.J 2) Very Good 3) Excellent J 4) Again I was delighted to hear your friends play. I am a big
fan of live music… Thank You. 5) “Food for the Soul” Very nice; appropriate for the context. Like classical…jazz…new age…classic rock…etc 6) Rain Forest by P. Castle (request) 7) Thans Amigos For the Music! I Really Enjoy this. It is
Very Pleasant and Relaxing. Thank You Much. Thanks again for your support and interest in the Music Kitchen! Sincerely, |
|
2nd Performance
Once again, I had distributed note cards for them to record any thoughts about the music or performance. Among the nine men, I only received two this time. A couple of people who were also present for the first performance felt they had nothing more to add without repeating themselves. As I was walking around to pick up the cards and pens, one gentleman asked me if Esterhazy was affiliated with Mozart. Once again I was reminded of the multitude of life experiences by this group of humanity who now find themselves in a homeless shelter and that, once again, one can make no presumptions of prerequisites for homelessness. I would think that the name “Esterhazy” is most commonly known by either conservatory students or frequent concert goers who read program notes. Although in the moment I unfortunately didn't think to inquire as to his musical background, that is something that I would like to inquire about in the future (since some have made specific requests to hear a “fugue” or “music of Elgar”). I reminded him that it was Haydn who was in the employment of Prince Esterhazy and went on to recount a humorous anecdote about the products of that long term court residency, such as the Surprise Symphony which Haydn composed to keep Esterhazy from falling asleep during performances. I also added that Mozart, despite how much we revere his work today, never had the benefit of such a long term position and always struggled to make a living. Here are the texts from the two note cards I did receive for this performance: My Friends I really Enjoy The Music Blissful, a wonderful ending to a long day. In the next two weeks before the end of the shelter season, I am planning to conclude this segment of Music Kitchen performances with a jazz quartet. Thanks again for your support. Sincerely, Kelly Hall-Tompkins |
|
First Performance
The performance tonight was extremely successful and well received. Before we got around to the performing, however, there was a bit of a surprise to us all. As it turned out, the volunteer cook for the evening didn't show up and we found out moments before we were expecting the homeless men to arrive on their bus from the shelter sign in center downtown! That situation doesn't happen often, but when it does, the first thought is to order pizzas. However, the other violinist in the ensemble quickly rallied us all to the seemingly impossible task at hand with no time left. We couldn't prepare the intended recipe, but rather improvised a pasta sauce with the same ingredients and managed to have it ready by the time the men arrived, which was in this case mercifully late. Under such pressure, the experience was bonding for us all. As soon as the plates were served up we turned to our instruments and performed the second movement of Brahms A minor quartet and the first movement of Mozart k. 590 in F major. I started out telling them a couple of things about Brahms, his insecurities about his music, such that he burned much of it before it saw the light of day much less a performance, his fear of living in the shadow of Beethoven and yet he is so treasured by many musicians worldwide including myself. I told them of Mozart's jaunty joking character before we played the lively K.590. And much to my great pleasure, I came up with the idea of passing out note cards and pens before the playing and invited them to record any thoughts about the music, the performance, a roused memory of their Aunt Gladys, or perhaps something they might like to hear in the future. I was very moved with their responses and would like to share some of them with you: John S. Juan C. Luis G. Brian C. So thank you all for your support and for making this possible. I am very heartened and am looking forward to future performances. By the way, a friend forwarded to me a communication from someone at WNYC radio here in New York. They may be interested in developing a piece on the Music Kitchen. They are already familiar with me from a performance I did on NYC and the BBC in October. I'll keep you posted. Warm Regards, Kelly |
